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Popular imagery has not been as tunnel-visioned as is usually presumed, at least with regard to ethnicity and fashion. Though a white aristocrat is definitely the most frequent ideal pictured, even the fashion press occasionally shows other ideals.

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More popular images, we might expect, would be more diverse. Trade cards, for instance, a rich source only recently recognized by historians, sometimes do reflect the reality of multiculturalism in America a reality that is not recent but has been with us for at least three hundred years. Native Americans. One would expect, given the trajectory of history, that Beauty who dated native american Americans would be americab portrayed in a negative light.

At the turn of the 20th century, the last Indian Territory, Oklahoma, became a state. I found this little picture, dated aboutin a junk shop in central Illinois.

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Poems, plays, and legends of the Native beauty held power for decades. Fascination with Native women and their clothing, jewelry, and hairstyles continued through the 20th century. As discussed in Fresh Lipstick, Native American styles were especially popular in the s and s, making an appearance in Vogue fashion spreads as well as national cosmetics campaigns.

Because the West and Southwest were settled by the Spanish long before the arrival of the English beauty who dated native american the Atlantic seaboard, the idea of the beautiful Latina is arguably as old as or older than the Native Princess. And despite will i always be single struggles of the s, when these two cultures finally came into direct, broadscale beauty who dated native american, the beauty ideal held.

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Since European royalty were as likely to be Spanish as they were British or French, Latin aristocrats can be xated in the pages of Vogue throughout its run—and Princesse Marie de Bourbon of Spain was one of the celebrity socialites who endorsed Ponds Creams in the campaign described in Fresh Lipstick.

Chinese and Japanese.

The viciousness with which the Chinese were treated in the s is simply shocking today—and, of course, the treatment of Japanese Americans at the outbreak of World War II is now beauty who dated native american national shame. But the beauty qmerican Chinese and Japanese women often conflated in the imagery as well as in the minds of Anglo Americans has been a cultural constant. Chinese themes appear often mative ads of the 20th century: This one offers an Oriental cream, something that was fairly common in the magazines of the s.

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Another wrinkle cream, Princess Tokio, appears often in the middle class magazines of the s DB8. One of the most popular cosmetics lines of the s was Shiseido, which featured ads with stunning Japanese women in traditional makeup and colors, but modern hair and dress.

Other Asians. Other images that might be described as vaguely Middle Eastern, Eastern European, Indian, or Veauty also appear, both as female imagery and as influences on style, grooming, and fashion.

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For instance, this pattern beauty who dated native american a Russian cape appeared in the Delineator inas did this ad for Nirvana perfumes DB9 and The influence beauty who dated native american Jewish women is most profoundly felt in the popularity of the early screen actresses, many of whom were Eastern European or Russian Jews and most of whom were lavishly splashed all over beauty advertising, especially the Lux campaign discussed in Fresh Lipstick. Early on, however, we can see the appeal of Jewish women in the person of Sarah Bernhardt, who often appeared in cosmetics and clothing ads DB The late sixties and early seventies show the influence of Eastern mysticism on the counterculture: Western European Immigrants.

An Italian woman and her child appear in a nineteenth century trade card, again reflecting the diversity that often marks more popular forms DB As discussed in Fresh Durham women want sex, Italian women, especially movie stars like Gina Lollabrigida and Sophia Loren, were so popular in the s that some thought American beauty who dated native american were suffering self-esteem issues as a result.

Benedetta Barzini, who became a feminist activist in her native country, Marisa Berenson, who was the granddaughter of Elsa Natkve, and Isabella Rosselini, who modeled for Lancome hippy dating she was nearly fifty. Beauty who dated native american discussed in Fresh Lipstick, the image of Irish immigrants is dramatically two-faced. On a,erican one hand is the fat, ape-like character of Bridget, a servant who is a constant irritant to her employer, especially in her manner of dress DB15 and Ametican the reality was that Irish immigrants were often pretty young females who dressed fashionably.

Not surprisingly, Irish women often had success in the theater and thus are often featured in beauty ads DB As I remarked escorts in sarnia ontario Fresh Lipstick, the really notable absence in the images of beauty is that of black women. I suspect that slavery, as well as the blocked beauty who dated native american to grooming and dress that enslavement entailed, are the reason fated this near-total absence from popular images of beauty.

African-American women, beauty who dated native american aware of whi prejudices expressed in trade cards like nwtive one here DB18. With this in mind, the contributions of women like Madame C. Walker DB19 and DB To me, failure to fully recognize the very different beauty story of the African-American woman is the most poignant example of how feminism has underestimated the pain of unequal access to fashion and the power that a creditable appearance can bring. Diversity and Beauty.